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7/16/2010
The Monaco Project for the Arts / Ecole Supérieure d’Arts Plastiques de la Ville de Monaco Presents Carsten Höller
The Monaco Project for the Arts
is a state recognized, non-profit association under the high patronage of His Serene Highness
Prince Albert II of Monaco.
Founded in 2009 by Rita Caltagirone, with the help of Mr.
Georges Marsan, Mayor of Monaco, and Isabelle Lombardot, Director of the Ecole Supérieure d'Arts Plastiques de la Ville
de Monaco, the association’s main goal is to support art and education.
Members of the association are part of
a cultural network that supports the Ecole Supérieure d'Arts Plastiques, the only art school in the principality that offers Bachelor of Arts and Master of Arts programmes.
The MPA enables artists, students,
collectors, curators, professionals from private and public institutions to meet with its members, and share ideas through
lectures, debates, film viewings, visits of museums and private collections and cultural trips.
The MPA also provides bursaries, work experience
programmes and organises collaborations between students, artists and art organisations.
In 2009, conferences were organised
in collaboration with Artcurial, to present an overview of art in the 20th century, and in
2010 conferences will be hosted in collaboration with Christie's.
The Monaco Project for the Arts includes 100 members
from different nationalities, all art passionates, mostly collectors and benefactors that are part of the multinational community
of the principality, always willing to participate actively in events to promote art and education.
Every summer the
MPA organises an exhibition called the Project.
An artist is invited to create a site-specific project at a school in
collaboration with its students. This year's artist is Belgian artist Carsten Höller.
Carsten Höller holds a doctorate in biology, and uses his
training as a scientist in his work as an artist. He is constantly testing his theories concerning human perception and physiological
reactions. His works mostly operate between half scientific experiment and half sensual encounter, always analyzing the nature
of human emotions.
The Fly Agaric Show / L'Exposition Amanite Tue-mouche is an exhibition
that looks at all aspects of his work around the theme of the Amanita muscaria mushroom, which occupies an important part of his art.
A selection of 6 major works
and 2 videos will be shown: a collage of three reproductions of giant mushrooms, one of them being the fly-agaric mushroom
(Giant Triple Mushroom, 2010); a glass case with 24 original replicas of mushrooms, half of them being fly-agarics
(Doppelpilzvitrine, 2010); a suitcase with the cast of a fly-agaric mushroom which can be placed on the ground and
moves according to solar energy (Pilzkoffer, 2008), a composition of 6 photographs
representing a woman holding a fly-agaric mushroom and a reindeer (Soma Series, 2008); a series of 12 photo-engravings
of fly-agaric mushrooms in their natural environment (Mushroom Print, 2003); and finally videos showing the artist
under the influence of the psychedelic components of a fly-agaric mushroom (Muscimol, 1996)…
Works revealing
the cultural, historical, pharmacological and magical aspects of the red and white mushroom that has also inspired the legend
of Father Christmas among many other interesting tales.
Carsten Höller has then invited the students of l'Ecole
Supérieure d'Arts Plastiques de la Ville de Monaco to work freely around the theme of Amanita muscaria and participate in the exhibition.
Yet another experiment!
Their projects: drawings, paintings, photography, videos or sculptures will be shown alongside his works, creating a creative
dialogue throughout the months of July and August.
7/3/2010
NeoPopRealism Represents the Enormous Potential for the Future Creation of Rich Cultural Heritage
Why we are passionate about freedom of speech? It is
our believe that members of a self-governing society must carefully consider a wide variety of perspectives on the issues
that it confronts, and that freedom of expression enables the diverse of points of views to be expressed. The dignity of each
of us requires that he/she be empowered to decide which ideas to communicate. In the US and other modern nations, the judiciary
has often played a critical role in protecting freedom of speech. Freedom of speech is one of the most fundamental American
values, but it is also one of the most controversial. First Amendment to the Constitution states: “Congress shall make
no law …. Abridging the freedom of speech, or of the press.” When person is constrained from expressing his/her
opinion, an element of his/her humanity is denied. If any one person cannot prove the superiority of his/her own viewpoints,
he/she can rely on majority rule to determine what speech is permissible. Unfortunately, the conventional wisdom of society
often turns out to be wrong.
There’s more going on than might first
meet the eye. Presentation of self is more complex than we might think. Nadia Russ was inquisitive about everything people did in face-to-face interactions. She watched them continually. Her art works Faces
reflect these experiences. People are performers who are vitally concerned with the presentation of their character to an
audience. The self is like structure that lives inside the individual. This structure is a quality of the individual that
consist of a hierarchical scheme of roles that is developed through childhood socialization, is stable by the late teens-early
20s, and consistently informs everything the individual thinks and does. The self changes and emerges with the flow of interaction.
The social identity is composed of social categories imputed to the individual by the self and others in defined situations.
In every interaction, people hold things back, things that aren’t appropriate for the situation, people accentuate other
aspects in order to present a particular kind of self with respect to the social role. Both emotions - pride and shame - are
distinctly social in origin, and both help monitor human behaviors. In every interaction, people put the self at risk. The
differences between the virtual and actual selves create the possibility of stigma. Word stigma is used
to denote a mark of discredit or shame. People with stigmas (disabilities or deformities) are discredited by “normals“.
“Normals” practice careful “distention”. For example, one of stigmatized categories is that of homosexuals
- being homosexual in society is a stigmatized identity. Every time we present identity we expose
our face, ego, identity to risk. We risk embarrassment, but the risk is necessary in order to feel pride and strong
sense of self. . . Nadia Russ began painting seriously at the end of 80s. Her career as an internationally known artist began
in 1992, when she for the first time visited the US. Her artwork has been exhibited in Europe, United States, and Caribbean.
Since then, several the United States and European art museums collected her art works - canvases and drawings. Russ is an
explorer and inventor who create images of psychological depth, she reveals her passion for the line and color and has chosen
the Faces images to be her creative voice. With the use of color and line as she does, the images become mysterious,
there’s an exploration of the psychological background that goes beyond her work. Unlimited imagination, combination
of hot and cold color, and line become her visual symphony conducted by her energetic power, and organized by
her sense of harmony; she creates a fascinating insights into the language of NeoPopRealism. In our society where
we are confronted with thousands of images every day, Nadia Russ encourages to consider her works which are thought-provoking,
intellectual and refreshing. It can be very hard to understand the social, political, and geographical context until you learn
more about the artist. In her paintings and drawings she capture the sense of being there. NeoPopRealism - style of visual
arts she created and announced in 2003 - now influences the global agenda and it is interesting to contemplate how visual
arts will develop. Today, NeoPopRealism represents the enormous potential that exist for the future creation of rich cultural heritage.
6/20/2010
Parsons presents Re-Imagining Orozco
The New School Art
Collection and the Sheila C. Johnson Design Center at Parsons present Re-Imagining Orozco, a multimedia exhibition exploring
the legacy of influential Mexican artist Jose Clemente Orozco's mural cycle, A Call to Revolution and Table of Universal
Brotherhood, at The New School. Coinciding with the Bicentennial of the Mexican
Revolution, the exhibition will run from June 25-September 12, 2010 at the Sheila C. Johnson Design Center at Parsons.
An opening reception will be held on Thursday, June 24 from 6:30-8:30 p.m.
Curated by Silvia Rocciolo and Eric
Stark, curators of the New School Art Collection, the exhibition features new work by visiting artist Enrique Chagoya as well
as contributions from students from across The New School. Chagoya, a Mexican-born American artist
who teaches at Stanford University, will present new work that responds to the Orozco murals
and serves as a catalyst for their contemporary discussion. The Orozco murals, one of the most important works in the New
School Art Collection, are one of the few remaining examples of Orozco's work outside of Mexico and the only public commission
by a Mexican muralist left in New York City.
"Chagoya's work, which combines printmaking, collage and caricature,
is rife with humor and presents a searing commentary on everything from racial policy to political aesthetics that cut to
the core of this country's limitations and excesses," said curators Rocciolo and Stark. "And Chagoya's affinity
with Orozco is well known, making his participation in this project pivotal."
Students from across The New
School are contributing a series of new works to the exhibition, all inspired by the Orozco murals. From the Parsons design and technology program, students are creating a short, animated film on The Table of the
Universal Brotherhood, one of the utopian panels of the mural cycle with contributions from the New School for Social
Research, the New School for Drama and the New School for Jazz and Contemporary Music. The Illustration program has
used Orozco as the theme for their printmaking curriculum. Chagoya will assemble a codex for the exhibition from the final
prints produced by the illustration students. The campus organization Lang College Public Art Squad
has created a historic and utopian timeline, while Parsons Product Design students have built
a satirical gift shop that critiques the expanding role of merchandising in museum exhibitions.
"The exhibition
exposes the rich aesthetic vein in The New School's history as an educational laboratory," said Radhika Subramaniam,
Director of the Sheila C. Johnson Design Center at Parsons. "Linking the curriculum to an adventurous, politically engaged
art practice, it encapsulates our mission to continually blur the divide between the classroom and the gallery."
Together with Diego Rivera and David Alfaro Siquieros, Orozco is considered one of the "big
three" Mexican muralists. Their work inspired the WPA (Works Progress Administration)
movement as well as the early development of the abstract expressionists in the United States. Commissioned by New School
for Social Research founder Alvin S. Johnson for Joseph Urban's landmark building at 66 West 12th Street, the New School's
Orozco murals reflected the university's founding mission as a laboratory for cross-disciplinary thinking and civic
engagement.
6/9/2010
The Gene Siskel Film Center presents An Evening with Robert Downey, Jr.
The
Gene Siskel Film Center, a public program of SAIC, is pleased to announce that Robert Downey,
Jr. will accept the Gene Siskel Film Center Renaissance Award at its annual benefit. Attendees to the gala event
will enjoy cocktails, dinner, and a conversation with actor Robert Downey, Jr. and director Todd
Phillips. Todd's most recent film is The Hangover and his latest film, Due Date, stars Robert Downey,
Jr.
Funds raised from An Evening with Robert Downey, Jr. support the excellent film programming and educational initiatives
of the Gene Siskel Film Center.
About the Gene Siskel Film Center:
For more than 30 years, the Gene Siskel
Film Center of the School of the Art Institute
of Chicago has presented world-class independent, international, and classic cinema.
Renamed in honor of the late film critic in 2000, the Gene Siskel Film Center presents approximately 1,500 screenings
and more than 100 guest artist appearances year to more than 80,000 film enthusiasts at its unique, sophisticated, modern
facilities which have been operating since June 2001 at 164 N. State Street.
5/28/2010
EMPAC Presents Filament Festival
The festival highlights
EMPAC's mission to support international and national artists in the creation and production of work via its residency and
commissioning programs.
Performances and installations include:
MTAA
(NYC): a barn raising driven by audience participation;
Hans Tutschku(Cambridge,
MA): a 24-channel immersive sound installation;
BalletLab
(Australia): choreographic hysteria based on cult behavior, embedded in a dense soundscape;
Yanira
Castro (NYC): a performance ecosystem where sound and dance environments envelop both audience and artists;
Early Morning Opera (Los Angeles): evangelistic jumbotron diatribe
on the dissolution of national borders;
Volkmar Klien (Austria):
a 44-channel encore of Start-Ziel-Siege;
DANCE MOViES Commission 2009-2010 Premieres:
five projects at the intersection of dance and moving image.
Filament will also unveil a program of commissioned short-form
performance works across the spectrum of dance, theater, music, and the visual arts. Participating artists include: Wally Cardona; SUE-C &
Laetitia Sonami; Jen DeNike;
Yehuda Duenyas; Sam Hillmer;
Miro Dance Theatre; MTAA; Steve
Cuiffo, Trey Lyford
& Geoff Sobelle.
5/15/2010
NeoPopRealism Creator and Juror Nadia Russ Announced Winners
Juror Nadia Russ announced winners of 4th Int'l
NeoPopRealism Starz Art Competition online: Blair Barbour (USA) - 1st Place, Sigmund Abeles (USA) - 2nd Place, John Alcock
(Australia) - 3rd Place. and Claudette Losier (Canada) - Honorablle Mention. Artists from US, UK, Canada, Bahrain, Australia,
Germany and other countries submitted their work.
1st place winner Blair Barbour (USA) got started
showing her artwork in art events and galleries early, with the support of her parents - her mother is an artist. Blair went
to college and got a degree in Fine Art, receiving the Marion-Ebert Wolle Scholarship. Earlier, in high school, she received
a national art award from the United States Achievement Academy. Recently, her work "Moulin Rouge" won 1st place
in 4th Int'l NeoPopRealism Starz Art Competition. "Blair Barbour’s artwork 'Moulin Rouge' is harmonical and
courageous in her choices. She is experimenting with the medium, adding to her technique her talent and spirit,”
juror Nadia Russ said.
Artwork of Sigmund Abeles "Parasomniac" (self portrait) won 2nd place
in 4th NeoPopRealism Starz Int'l Art Competition. He said, "My main goal is to keep on making vital, significant art
about life/humanity with honesty, intensity and depth and get it seen, even sold. I hope and dream to work to my last day
and hope that is at least fifteen years more of image-making." Several months ago, Sigmund celebrated his 75th birth
day. His artistic career is a success story of an artists whose art works can be found in art museums in the US and Europe.
including MoMA and Metropolitan, with list of the solo and group art exhibitions and many awards.
Juror Nadia
Russ said, “Sigmund Abeles’s artwork Parasomniac (Self-Portrait) is all about depth and emotionally touching
theme. Its colors combination and composition (perfect choice) are catching viewers’ attention and asking for emotional
respond.”
Artwork of John Alcock won 3rd place with his work Victoria Spring. His work
is celebratiion of color, light, and nature. He uses high energy colors to create his fascinating and powerful image of spring.
Claudette Losier with her image "Noodling my Doodling" won Honorable Mention. This artwork reflects her personality
and professionalism; she uses mixed media/transfer technique to successfully achieve her creative task. May 26th - June 29th,
she will have her art work exhibited in the Burlington Art Center in Ontario, Canada.
5/3/2010
GUGGENHEIM: Thinking Like An Artist
What
does it mean to think like an artist? What can educators learn from the work of artists? Join art and museum
educators, administrators, and policy makers from across the country in a two-day forum to discuss the
role of creativity in the art classroom and in the field of education as a whole. Through artist talks, panel presentations,
and group discussion, participants consider the characteristics of creativity across disciplines
and identify best practices for fostering creativity in the classroom. The conference features Lois Hetland and Ellen Winner, research associates at Project Zero,
Harvard Graduate School of Education; contemporary artists Janine
Antoni and Michael Joo; Ellen Lupton, curator of contemporary design at Cooper Hewitt
National Design Museum; Jerry Saltz, senior
art critic for New York Magazine, and other renowned practitioners and researchers in the fields of art, education,
and creativity. The conference also highlights the findings of The Art of Problem Solving,
a four-year research program recently completed by the Guggenheim Museum. This initiative
sought to identify skills associated with problem solving and determine how art educators
can encourage the development of these skills in their students. Thursday,
June 3, 9 am–5:30 pm. Friday, June 4, 2010, 9 am–1 pm at Solomon R. Guggenheim Museum, New York
4/29/2010
Asia Art Archive Presents Backroom Conversations for ART HK 10
Four panel discussions and screenings assembling leading experts
and art practitioners, offering a first-hand look into today’s world of contemporary art…
Thurs
27th May | 6–8 pm | Containers of the Present: Institutional Collections and the History of Japanese Contemporary Art
| Speakers: Shinji Kohmoto, Chief Curator, National
Museum of Modern Art, Kyoto | Yuko Hasegawa, Chief Curator, Museum of Contemporary Art, Tokyo | Yukie Kamiya, Chief
Curator, Hiroshima City Museum of Contemporary
Art | Barbara London, Associate Curator, Department of Media and Performance Art, Museum of Modern Art, New York |
Alexandra Munroe, Senior Curator of Asian Art, Solomon R. Guggenheim Museum, New York | Moderated by Andrew Maerkle, critic
& writer, Tokyo
This panel will address the roles that Japanese and international
institutional collections play in developing the history of Japanese post-war and contemporary art. The panel will address
their collection maintenance and development, despite severe budget cuts initiated in the post-bubble era of the 1990’s;
their role as counterweights to market-driven value systems; and possible relevance to rapidly emerging art infrastructures
elsewhere in East Asia.
Fri 28th May | 3.30–5.30 pm | Private Endowments in Contemporary Art | Speakers:
Dr. Gene Sherman, Chairman and Executive Director, Sherman Contemporary Art Foundation, Sydney | Yana Peel, Co-founder and
Director, Outset Contemporary Art Fund,
London | Daniela Zyman, Chief Curator, Thyssen-Bornemisza Art Contemporary, Vienna | Agnes Lin, Founder and Director, Osage
Art Foundation, Hong Kong | Moderated by Savita Apte, art historian and Director of Art Dubai
The growth of private
art foundations around the world in the last two decades reflects the pressing need for resources in support of the arts.
This panel asks prestigious art foundations to discuss their development in relation to contemporary art, social responsibility,
recent economic challenges and their influence on artistic practice and the art market.
Sat 29th May | 2–4
pm | Artist as Activist, Art as Catalyst* | Speakers: Martha Rosler, artist | Zanny Begg,
artist | Wong Hoy Cheong, artist | Choi Tsz-kwan, Ger, artist | Moderated by Manray Hsu, independent curator and art
critic
In response to contemporary social and political conditions, artists and activists have developed
new tools for thought and new strategies of resistance aimed at making other worlds possible. This panel invites artists to
discuss questions such as: What is the political in political art? What can art do to make another world? What is the role
of the exhibition, especially of projects that were made in an activist context, and what role does communication and networking
play in art-making?
*A series of screenings will be held in conjunction with this
panel at the same venue (Sat 10.45am & Sun 2pm.)
4.15 – 6.15 pm | In the Aftermath of the White
Cube: Museums and Other Spaces | Speakers: Sabine Breitwieser, Secretary and Treasurer of International Committee of
ICOM for Museums and Collections of Modern Art | Eungie Joo, Keith
Haring Director and Curator of Education and Public Programs, New Museum of Contemporary Art, New York | Bec Dean, Associate Director, Performance Space,
Sydney | Michael Rush, curator, writer,
critic and Former Director, Rose Art Museum,
Brandeis University, Boston | Moderated by Adele Tan, art historian, teacher and writer
No longer willing to be
pristine, disinterested and ultimately sterile white cubes, museums and alternative art spaces today are pressed to continually
assert their vitality and relevance and trade in banalities for accessibility. Competition with the international art biennales
and art fairs forces museums to define their own missions in the expanded art ecosystem. How is today’s art museum re-imagining
its ethics and politics? What is the function of the art museum in the 21st century? Who is its audience?
Asia
Art Archive’s Booth G10 at ART HK 10 | Materials of the Future: Documenting Contemporary Chinese
Art from 1980-1990
AAA has recreated an artist’s living-working space reminiscent of the 1980s in
China, along with a display of selected materials acquired through the ‘Materials of the Future’ project. In conjunction
with the booth, part of the collection will also be on display at AAA’s library in Sheung Wan,
from May through September.
4/20/2010
MASTER OF PUBLIC ART STUDIES PROGRAM: ART/CURATORIAL PRACTICES IN THE PUBLIC SPHERE
The Master of Public
Art Studies Program: Art/Curatorial Practices in the Public Sphere at the University of Southern California Roski School of
Fine Arts in Los Angeles is a unique platform to research art, curatorial practices, and modes of cultural organizing in relation
to the material/social conditions of public space, and the contemporary public sphere. The graduate program’s 2-year
interdisciplinary course of study encompasses seminars on curatorial practice/organizational methods; social, urban and media
theory; critical writing; exhibition histories; and selected topics in art and architectural history. Students examine how
artists, curators, organizers, architects and other cultural producers engage the complexities of public space, while also
investigating the theoretical and pragmatic conditions of the public sphere. The program features a curatorial practicum that
functions as a laboratory for students to collaborate on the development and organization of a n exhibition project that explores
city-space. Students are also responsible for the research and writing of a thesis that develops innovative concepts and new
scholarship on art, public space, and the public sphere. The program supports students in their academic and professional
development as curators, organizers, critics, writers and scholars.
Guest speakers, spring 2010 term:
Vito Acconci,
Mark Bradford, Gregg Bordowitz, Julia Bryan-Wilson, Dan Cameron, Harrell Fletcher, Boris Groys, Renée Green, Maria
Lind, Rick Lowe, Antonio Muntadas, Felicity Scott, John Welchman.
4/12/2010
Academy of Fine Arts In Oslo, Norway
Speculation is the process of thinking or meditating
on a subject. The participants at the seminar Oslo Speculations are invited to share the speculations, contemplations
and problems that are basic to or perhaps are the very incentive for an artistic practice
– fundamental issues concerning freedom, sexuality, spirituality, alienation, irrationality, politics, history, the
past, the present and the future.
Oslo Speculations aims to be a different kind of seminar. Rather than
a generic presentation of their practice, we urge the participants to reflect upon the basic issues. What trickered it all?
How do you keep on going? Why do you do, what you do?
We invite the people that we would most want to listen to
ourselves – from the field of contemporary art, but also from other fields such as religion, literature and music. Works
of each participant will be on display during the seminar. As much as a seminar, Oslo Speculations is also a social
event taking in performances, screenings, readings as well as a reactionary kitchen with an experimental bar.
Oslo
Speculations is a collaboration between Henrik Plenge Jakobsen, The Academy of Fine Arts in Oslo / Linus Elmes and Sverre
Gullesen, UKS (Young Artist Society)
Oslo Speculations will take place on the 16-17 April at the UKS gallery, Lakkegata
55D, Oslo.
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***
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Founded by Nadia Russ in 2010
www.nadiaruss.com
PO BOX 366, New York, NY 10013
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"PEOPLE MAKE THE RULES AND BREAK THE RULES. BUT HARMONY IS ETERNAL."
Nadia Russ
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NeoPopRealism Starz: 21st Century Art, 2nd Volume, Erotica As A High Artistic
Aspiration by Nadia Russ available from BarnesAndNoble.com , Amazon.com & other stores.
NeoPopRealism Magazine Art Gallery Online All art works featured in this Magazine's Official
Art Gallery are available for sale. We are now in a process of selection of work to feature in this prestigious art spot.
Contact us for more information with your images (.jpeg format) and brief bio.
| Nadia
Russ, Rolls-Royce D'Vinci, Limited edition signed print 1/10, 11"x17"
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| Nadia
Russ, Rolla-Royce Convertible, Limited edition signed print, 1/10, 11"x17"
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| Nadia
Russ, Bentley Convertible, Limited edition signed print, 1/10, 11"x17"
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| Nadia
Russ, Rolls Convertible, Limited edition signed print, 1/10, 11"x17"
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Wonderbooks of
2008-2009
Wonderpedia Awards _______________
Wonderbook of September 2009 | Graphic Design Solutions | 
| Author:
Robin Landa, Publisher: WADSWORTH, Published: 2006, ISBN: 9781401881542
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| London's Bridges | 
| Author:
Peter Matthews, Publisher: Shire Booksks, Published, 2009, ISBN: 9780747806790
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_______________
Wonderbook
of January 2009 | The Complete History of
SURFING | 
| Authors:
Nat Young, Published: 2008, Publisher: Gibbs Smith, ISBN:9781423602668
|
_______________
Wonderbook
of September 2008 | MAN the HUNTED, new expanded
edition | 
| Authors:
Donna Hart, R. W. Sussman, Published 2008, Publisher: WESTVIEW PRESS, ISBN: 9780813344034
|
| _______________
Wonderbook of October 2009 | Just Listen | 
| Author:
Mark Goulston, Publisher: AMACOM, Published: 2009, ISBN: 9780814414033
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| On The Origin Of Species | 
| Authors:
Charles Darvin, David Quammen, Publisher: Sterling, Published: 2008, ISBN: 9781402756399
|
_______________
Wonderbook
of February 2009 | The Arts Of China, Fifth
Edition | 
| Author:
M. Sullivan, Published: 2008, Publisher: University of California Press, ISBN: 9780520255692
|
_______________
Wonderbook
of October 2008 | 1001 Historic Sites You
Must See Before You Die | 
| Author:
Richard Cavendish; Published: 2008, Publisher: BARRON'S, ISBN: 9780764160448
|
| _______________
Wonderbook of November 2009 | The Little Prince, Deluxe
Edition | 
| Author:
Saint-Exupery, Publisher: Houghton Mifflin Harcourt, Published:2009, ISBN: 9780152023980
|
| I Hate People! | 
| Authors:
J.Littman&M. Hershon, Publisher: Little,Brown & Co., Published: 2009, ISBN:9780316032292
|
| The Complete Art Of Cooking | 
| Under
supervision of S. Girard, Published: 2006, Publisher: Rebo International, ISBN: 9789036619479
|
_______________
Wonderbook
of November 2008 | Guide to the Psychology
of Happiness | 
| Author:
Arlene Matthews Uhl,Published:2008, Publisher: Alpha Books/Penguin Group, ISBN 9781592577118
|
| _______________
Wonderbook of December 2009 | Emotional Addictions,
A Reference Book | 
| Author:
Peter D. Ladd, Publisher: University Press of America Published: 2009, ISBN:9780761846239
|
________________
Wonderbook
of August 2009 | Color Choreography | 
| Author:
Alan McManus Burned, Publisher: Cengage Learning, Published: 2008, ISBN: 9781426629235
|
| Finding Grace | 
| Photography
by Lynn Blodgett, Published: 2007, Publisher: Earth Aware, ISBN: 9781601091055
|
_______________
Wonderbook
of December 2008 | Making Things Happen | 
| Author:
Scott Berkun, Published: 2008, Publisher: O'Reilly, ISBN: 9780596517717
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ART EVENTS TODAY IN NEW YORK
ART OPENINGS IN NEW YORK CITY
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Надя
Русс, Надежда МАЛОЛЕТНЕВа
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