|
8/25/2010
Urban Images: Re-imagining the City Through Moving Images
The
Urban Images symposium brings together an internationally renowned group of artists and scholars for a two-day program in
order to discuss the field of artistic film and video related to architecture and urban space. The objective of the symposium
is to expand theoretical concepts and artistic tools for understanding the inherent qualities of moving images and its relationship
to urban culture. The program touches upon moving images’ influence on urban architecture, urban architecture’s
relationship to avant-garde film, the city as a source for artistic film and video, and reflections on urban architecture
in recent film and video art.
Considering the globally expanding urban developments and the increasingly fluid borders between research in architecture
and moving images, this symposium presents important cross-disciplinary inquiries in the fields of architecture and visual
practice. Bearing in mind Gilles Deleuze’s sensitivity to the ways in which contemporary
culture is becoming fundamentally an audiovisual culture, the symposium will outline ontological and psychological relationships
to moving images in the context of urban environment.
The following people will present their most recent research in
this field: Parveen Adams, Giuliana Bruno, Bull.Miletic, Andreas Bunte, Beatriz Colomina, Mark Cousins, Edward Dimendberg, Tom Gunning, Henrik Gustafsson,
Marit Paasche and Judy Radul.
The papers and artistic presentations from the symposium
will be published in a book scheduled for release in early 2011.
Registration
deadline: Friday September 3, 2010. Registration fee: NOK 400 (students NOK 200).
Questions regarding the symposium
can be directed to: Synne Bull and Marit Paasche.
The Urban Images symposium is organized by the Oslo Academy of
Fine Art in collaboration with Atelier Nord. Generous support is granted by The Freedom of Expression Foundation, Public Art Norway (KORO), Oslo Municipality, Embassy of the
United States in Oslo, and German Embassy in Oslo.
8/23/2010
DARE # 5: maHKU Platform, Utrecht, The Netherlands
maHKU Platform
The Utrecht Graduate School of Visual Art and Design (maHKU)
presents 3 Graduate Exhibitions, 1 Open Studio and 3 Research Screenings.
Opening, August 27
Academiegalerie
and Aorta: 17-19. Expodium: 18-20.
maHKU Degree Show MA Fine Art: Collective Individualism
This presentation is based on a situated and committed take on the chances and challenges of temporal and immaterial
works of art outside the white cube. The focus and the starting point of the actions is the
Jaarbeursplein: the square located behind the Hoog Catharijne shopping mall. The vast and varied activities by the students
there are then connected with works articulated as interventions and documentations at the Expodium space.
Curator:
Mika Hannula (Professor of Artistic Research, Gothenburg University) in collaboration with Expodium, Platform for Young Art.
Location: Expodium, Krugerstraat 11, Monday-Friday 10-17. Sunday 9.12: 12-17.
maHKU Fine Art: Open Studio:
August 28 and 29. 11-17.
A presentation of the studio-based research projects by the Ma Fine
Art students.
Location: SWK, Van Asch van Wijckkade 28-30, Utrecht.
maHKU Degree Show Spatial Design:
Subtle Revolutions
Despite the fact that the Spatial Design students originate from eight different countries
their presentation shows a striking unanimity in the involved, process-oriented, approach of the design discipline. The projects
demonstrate that process-oriented research leads to transformations in the relationship between public and private spheres.
Such research aims to stimulate new ways of thinking and new strategies to generate discussion in the field. In line with
Doing Dissemination, students also investigate whether the current openness and diversity in communication leads
to more quality, attention and dissemination.
Curator: Arjen Oosterman (Editor in Chief, Volume
Magazine)
Location: Aorta, Achter de Dom 14. Wednesday-Saturday: 12-17 (and Sunday 9.12).
maHKU Degree
Show Communication Design: No Title
“Here I was surrounded by fashion and editorial and my so-called mates and I’ve never felt so inspired. Never
in all my puff. Since I was on remand, they’ve had me on this program, this state sponsored addiction. Three sickly
sweet doses of workshops a day instead of lectures. But it is never enough. I need to visit the maHKU Platform for one hit.
One final hit to get us over this long, hard year.” (After Trainspotting)
Location: Academiegalerie,
Minrebroederstraat 16, Wednesday-Saturday: 12-17.
maHKU Research Screenings
Communication Design: Academiegalerie.
Critical Referent: Joke Robaard. September 2, 14-16.
Spatial Design: Aorta.
Critical Referent: ZUS (Zones Urbaines Sensibles), September 2, 19-21.
Fine Art: Expodium. Critical Referents:
Pilvi Takala and Joshua Thies. September 3, 14-16.30.
DARE
Twice a year, under
the title DARE (Dutch Artistic Research Event), maHKU organizes a public event: an international artistic research
symposium in spring and a presentation of current maHKU research in September (maHKU-Platform).
On April
1 a symposium was held, entitled Doing Dissemination, dealing with the problems surrounding dissemination of artistic
research. The keynote presentation was held by Nicolas Bourriaud. Other contributions were by, among others, Geert Lovink, Jurgen Bey and BikvanderPol. A report
about this symposium will appear in maHKUzine 9, Journal of Artistic Research.
DARE is a project initiated
by the Utrecht Graduate School of Visual Art and Design (maHKU). DARE # 5 is also made possible with the support of Dutch
Design Double.
maHKU
Since 2004 the Utrecht Graduate School of Visual Art and Design (maHKU)* has been the
sole master program in the Netherlands to offer one-year, interdisciplinary graduation courses in research. Through an intensive
seminar program with artists, designers, architects, curators, and theorists, two main research themes are addressed. Departing
from the question of intermediality, the department of Fine Art focuses on the position of the artistic image in
a culture of visual information, whereas the department of Design focuses on topical forms of engagement from a transdisciplinary
attitude. These research trajectories are developed and realized in close collaboration with local and global partners.
*Note: maHKU application and Admission for MA Fine Art and MA Design (Editorial Design, Fashion Design, Interior Design, Public Space Design) 2011-2012 are possible from September
2010 – April 2011.
Public Program Accompanying The Temporary Stedelijk at the Stedelijk Museum
The
Stedelijk Museum is opening its doors again at a unique moment in its history: while work continues on the expansion of the
museum, the restoration of the historic building is nearly complete. From August 28, 2010 until January 8, 2011, the Stedelijk
will temporarily re-open its doors with The Temporary Stedelijk at the Stedelijk Museum.
In addition to presenting
two major contemporary art exhibitions, The Temporary Stedelijk offers visitors an extensive
public program in which topics, audiences and formats alternate. The various events focus on making a significant contribution
to artistic, theoretical and media production in the Netherlands and abroad. The program consists of theory seminars and talks,
performances, film screenings, Q&A with artists and designers, workshops, interactive
installations, but also gallery talks, guided tours and several international symposia. Please find a general overview of
the program below.
The Public Program is curated by: Hendrik Folkerts and Margriet Schavemaker in collaboration
with the curatorial staff of the Stedelijk Museum Amsterdam
Theory Talks @ The
Temporary Stedelijk.
The Temporary Stedelijk organizes four Theory Talks, in collaboration with the de Appel Curatorial
Programme and the University of Amsterdam.
During these evenings, The Temporary Stedelijk auditorium will give the floor to several prominent scholars and theorists
in the field of contemporary art. The focal point of these evenings will be the issues of temporality and spatiality in the
arts and art history, important themes for the Stedelijk at this moment in its history. The Theory Talks serve as
a hub to make theory accessible to a wide community in the Netherlands and abroad. The goal is to use and to address theory
in a productive way. At The Temporary Stedelijk, theory talks!
With (a.o.): Sarah Cook, Ann Demeester, Ann Goldstein, Suman Gupta, Marina Grzinic, Tim Griffin, Keith Moxey,
Donald Preziosi and Nicholas
Mirzoeff
Performance @ The Temporary Stedelijk
Engaging performances by
noted performance artists that relate to, challenge, or are part of the exhibitions of The Temporary Stedelijk, organized
in collaboration with Kunstverein Amsterdam and If I Can’t Dance I Don’t Want To Be Part of Your Revolution.
Do It! @ The Temporary Stedelijk
These evenings present a playful and topical mix of presentations,
lectures and interventions, exploring such unexpected topics as smell, taste and play in contemporary art.
With
(a.o.): Jim Drobnick, Peter de Cupere, Katja Gruijters and Louise Fresco
Talking Film @ The
Temporary Stedelijk
A program that gives artists and designers the opportunity to screen either their own film
work or that produced by other artists or filmmakers. The screenings are accompanied by a Q&A with the artist and are
hosted by a curator of the Stedelijk Museum.
With (a.o.): Jurgen Bey and Hala Elkoussy
Symposia
In order to further explore the Stedelijk Museum as a future platform for a variety of discursive
events, that provide exhaustive, in-depth yet accessible reflections on urgent developments in the contemporary
art world, The Temporary Stedelijk will host a diverse program of symposia, in collaboration with national and international
partner institutions. For an up-to-date program, please check our website.
7/16/2010
The Monaco Project for the Arts / Ecole Supérieure d’Arts Plastiques de la Ville de Monaco Presents Carsten Höller
The Monaco Project for the Arts
is a state recognized, non-profit association under the high patronage of His Serene Highness
Prince Albert II of Monaco.
Founded in 2009 by Rita Caltagirone, with the help of Mr.
Georges Marsan, Mayor of Monaco, and Isabelle Lombardot, Director of the Ecole Supérieure d'Arts Plastiques de la Ville
de Monaco, the association’s main goal is to support art and education.
Members of the association are part of
a cultural network that supports the Ecole Supérieure d'Arts Plastiques, the only art school in the principality that offers Bachelor of Arts and Master of Arts programmes.
The MPA enables artists, students,
collectors, curators, professionals from private and public institutions to meet with its members, and share ideas through
lectures, debates, film viewings, visits of museums and private collections and cultural trips.
The MPA also provides bursaries, work experience
programmes and organises collaborations between students, artists and art organisations.
In 2009, conferences were organised
in collaboration with Artcurial, to present an overview of art in the 20th century, and in
2010 conferences will be hosted in collaboration with Christie's.
The Monaco Project for the Arts includes 100 members
from different nationalities, all art passionates, mostly collectors and benefactors that are part of the multinational community
of the principality, always willing to participate actively in events to promote art and education.
Every summer the
MPA organises an exhibition called the Project.
An artist is invited to create a site-specific project at a school in
collaboration with its students. This year's artist is Belgian artist Carsten Höller.
Carsten Höller holds a doctorate in biology, and uses his
training as a scientist in his work as an artist. He is constantly testing his theories concerning human perception and physiological
reactions. His works mostly operate between half scientific experiment and half sensual encounter, always analyzing the nature
of human emotions.
The Fly Agaric Show / L'Exposition Amanite Tue-mouche is an exhibition
that looks at all aspects of his work around the theme of the Amanita muscaria mushroom, which occupies an important part of his art.
A selection of 6 major works
and 2 videos will be shown: a collage of three reproductions of giant mushrooms, one of them being the fly-agaric mushroom
(Giant Triple Mushroom, 2010); a glass case with 24 original replicas of mushrooms, half of them being fly-agarics
(Doppelpilzvitrine, 2010); a suitcase with the cast of a fly-agaric mushroom which can be placed on the ground and
moves according to solar energy (Pilzkoffer, 2008), a composition of 6 photographs
representing a woman holding a fly-agaric mushroom and a reindeer (Soma Series, 2008); a series of 12 photo-engravings
of fly-agaric mushrooms in their natural environment (Mushroom Print, 2003); and finally videos showing the artist
under the influence of the psychedelic components of a fly-agaric mushroom (Muscimol, 1996)…
Works revealing
the cultural, historical, pharmacological and magical aspects of the red and white mushroom that has also inspired the legend
of Father Christmas among many other interesting tales.
Carsten Höller has then invited the students of l'Ecole
Supérieure d'Arts Plastiques de la Ville de Monaco to work freely around the theme of Amanita muscaria and participate in the exhibition.
Yet another experiment!
Their projects: drawings, paintings, photography, videos or sculptures will be shown alongside his works, creating a creative
dialogue throughout the months of July and August.
7/3/2010
NeoPopRealism Represents the Enormous Potential for the Future Creation of Rich Cultural Heritage
Why we are passionate about freedom of speech? It is
our believe that members of a self-governing society must carefully consider a wide variety of perspectives on the issues
that it confronts, and that freedom of expression enables the diverse of points of views to be expressed. The dignity of each
of us requires that he/she be empowered to decide which ideas to communicate. In the US and other modern nations, the judiciary
has often played a critical role in protecting freedom of speech. Freedom of speech is one of the most fundamental American
values, but it is also one of the most controversial. First Amendment to the Constitution states: “Congress shall make
no law …. Abridging the freedom of speech, or of the press.” When person is constrained from expressing his/her
opinion, an element of his/her humanity is denied. If any one person cannot prove the superiority of his/her own viewpoints,
he/she can rely on majority rule to determine what speech is permissible. Unfortunately, the conventional wisdom of society
often turns out to be wrong.
There’s more going on than might first
meet the eye. Presentation of self is more complex than we might think. Nadia Russ was inquisitive about everything people did in face-to-face interactions. She watched them continually. Her art works Faces
reflect these experiences. People are performers who are vitally concerned with the presentation of their character to an
audience. The self is like structure that lives inside the individual. This structure is a quality of the individual that
consist of a hierarchical scheme of roles that is developed through childhood socialization, is stable by the late teens-early
20s, and consistently informs everything the individual thinks and does. The self changes and emerges with the flow of interaction.
The social identity is composed of social categories imputed to the individual by the self and others in defined situations.
In every interaction, people hold things back, things that aren’t appropriate for the situation, people accentuate other
aspects in order to present a particular kind of self with respect to the social role. Both emotions - pride and shame - are
distinctly social in origin, and both help monitor human behaviors. In every interaction, people put the self at risk. The
differences between the virtual and actual selves create the possibility of stigma. Word stigma is used
to denote a mark of discredit or shame. People with stigmas (disabilities or deformities) are discredited by “normals“.
“Normals” practice careful “distention”. For example, one of stigmatized categories is that of homosexuals
- being homosexual in society is a stigmatized identity. Every time we present identity we expose
our face, ego, identity to risk. We risk embarrassment, but the risk is necessary in order to feel pride and strong
sense of self. . . Nadia Russ began painting seriously at the end of 80s. Her career as an internationally known artist began
in 1992, when she for the first time visited the US. Her artwork has been exhibited in Europe, United States, and Caribbean.
Since then, several the United States and European art museums collected her art works - canvases and drawings. Russ is an
explorer and inventor who create images of psychological depth, she reveals her passion for the line and color and has chosen
the Faces images to be her creative voice. With the use of color and line as she does, the images become mysterious,
there’s an exploration of the psychological background that goes beyond her work. Unlimited imagination, combination
of hot and cold color, and line become her visual symphony conducted by her energetic power, and organized by
her sense of harmony; she creates a fascinating insights into the language of NeoPopRealism. In our society where
we are confronted with thousands of images every day, Nadia Russ encourages to consider her works which are thought-provoking,
intellectual and refreshing. It can be very hard to understand the social, political, and geographical context until you learn
more about the artist. In her paintings and drawings she capture the sense of being there. NeoPopRealism - style of visual
arts she created and announced in 2003 - now influences the global agenda and it is interesting to contemplate how visual
arts will develop. Today, NeoPopRealism represents the enormous potential that exist for the future creation of rich cultural heritage.
6/20/2010
Parsons presents Re-Imagining Orozco
The New School Art
Collection and the Sheila C. Johnson Design Center at Parsons present Re-Imagining Orozco, a multimedia exhibition exploring
the legacy of influential Mexican artist Jose Clemente Orozco's mural cycle, A Call to Revolution and Table of Universal
Brotherhood, at The New School. Coinciding with the Bicentennial of the Mexican
Revolution, the exhibition will run from June 25-September 12, 2010 at the Sheila C. Johnson Design Center at Parsons.
An opening reception will be held on Thursday, June 24 from 6:30-8:30 p.m.
Curated by Silvia Rocciolo and Eric
Stark, curators of the New School Art Collection, the exhibition features new work by visiting artist Enrique Chagoya as well
as contributions from students from across The New School. Chagoya, a Mexican-born American artist
who teaches at Stanford University, will present new work that responds to the Orozco murals
and serves as a catalyst for their contemporary discussion. The Orozco murals, one of the most important works in the New
School Art Collection, are one of the few remaining examples of Orozco's work outside of Mexico and the only public commission
by a Mexican muralist left in New York City.
"Chagoya's work, which combines printmaking, collage and caricature,
is rife with humor and presents a searing commentary on everything from racial policy to political aesthetics that cut to
the core of this country's limitations and excesses," said curators Rocciolo and Stark. "And Chagoya's affinity
with Orozco is well known, making his participation in this project pivotal."
Students from across The New
School are contributing a series of new works to the exhibition, all inspired by the Orozco murals. From the Parsons design and technology program, students are creating a short, animated film on The Table of the
Universal Brotherhood, one of the utopian panels of the mural cycle with contributions from the New School for Social
Research, the New School for Drama and the New School for Jazz and Contemporary Music. The Illustration program has
used Orozco as the theme for their printmaking curriculum. Chagoya will assemble a codex for the exhibition from the final
prints produced by the illustration students. The campus organization Lang College Public Art Squad
has created a historic and utopian timeline, while Parsons Product Design students have built
a satirical gift shop that critiques the expanding role of merchandising in museum exhibitions.
"The exhibition
exposes the rich aesthetic vein in The New School's history as an educational laboratory," said Radhika Subramaniam,
Director of the Sheila C. Johnson Design Center at Parsons. "Linking the curriculum to an adventurous, politically engaged
art practice, it encapsulates our mission to continually blur the divide between the classroom and the gallery."
Together with Diego Rivera and David Alfaro Siquieros, Orozco is considered one of the "big
three" Mexican muralists. Their work inspired the WPA (Works Progress Administration)
movement as well as the early development of the abstract expressionists in the United States. Commissioned by New School
for Social Research founder Alvin S. Johnson for Joseph Urban's landmark building at 66 West 12th Street, the New School's
Orozco murals reflected the university's founding mission as a laboratory for cross-disciplinary thinking and civic
engagement.
6/9/2010
The Gene Siskel Film Center presents An Evening with Robert Downey, Jr.
The
Gene Siskel Film Center, a public program of SAIC, is pleased to announce that Robert Downey,
Jr. will accept the Gene Siskel Film Center Renaissance Award at its annual benefit. Attendees to the gala event
will enjoy cocktails, dinner, and a conversation with actor Robert Downey, Jr. and director Todd
Phillips. Todd's most recent film is The Hangover and his latest film, Due Date, stars Robert Downey,
Jr.
Funds raised from An Evening with Robert Downey, Jr. support the excellent film programming and educational initiatives
of the Gene Siskel Film Center.
About the Gene Siskel Film Center:
For more than 30 years, the Gene Siskel
Film Center of the School of the Art Institute
of Chicago has presented world-class independent, international, and classic cinema.
Renamed in honor of the late film critic in 2000, the Gene Siskel Film Center presents approximately 1,500 screenings
and more than 100 guest artist appearances year to more than 80,000 film enthusiasts at its unique, sophisticated, modern
facilities which have been operating since June 2001 at 164 N. State Street.
5/28/2010
EMPAC Presents Filament Festival
The festival highlights
EMPAC's mission to support international and national artists in the creation and production of work via its residency and
commissioning programs.
Performances and installations include:
MTAA
(NYC): a barn raising driven by audience participation;
Hans Tutschku(Cambridge,
MA): a 24-channel immersive sound installation;
BalletLab
(Australia): choreographic hysteria based on cult behavior, embedded in a dense soundscape;
Yanira
Castro (NYC): a performance ecosystem where sound and dance environments envelop both audience and artists;
Early Morning Opera (Los Angeles): evangelistic jumbotron diatribe
on the dissolution of national borders;
Volkmar Klien (Austria):
a 44-channel encore of Start-Ziel-Siege;
DANCE MOViES Commission 2009-2010 Premieres:
five projects at the intersection of dance and moving image.
Filament will also unveil a program of commissioned short-form
performance works across the spectrum of dance, theater, music, and the visual arts. Participating artists include: Wally Cardona; SUE-C &
Laetitia Sonami; Jen DeNike;
Yehuda Duenyas; Sam Hillmer;
Miro Dance Theatre; MTAA; Steve
Cuiffo, Trey Lyford
& Geoff Sobelle.
5/15/2010
NeoPopRealism Creator and Juror Nadia Russ Announced Winners
Juror Nadia Russ announced winners of 4th Int'l
NeoPopRealism Starz Art Competition online: Blair Barbour (USA) - 1st Place, Sigmund Abeles (USA) - 2nd Place, John Alcock
(Australia) - 3rd Place. and Claudette Losier (Canada) - Honorablle Mention. Artists from US, UK, Canada, Bahrain, Australia,
Germany and other countries submitted their work.
1st place winner Blair Barbour (USA) got started
showing her artwork in art events and galleries early, with the support of her parents - her mother is an artist. Blair went
to college and got a degree in Fine Art, receiving the Marion-Ebert Wolle Scholarship. Earlier, in high school, she received
a national art award from the United States Achievement Academy. Recently, her work "Moulin Rouge" won 1st place
in 4th Int'l NeoPopRealism Starz Art Competition. "Blair Barbour’s artwork 'Moulin Rouge' is harmonical and
courageous in her choices. She is experimenting with the medium, adding to her technique her talent and spirit,”
juror Nadia Russ said.
Artwork of Sigmund Abeles "Parasomniac" (self portrait) won 2nd place
in 4th NeoPopRealism Starz Int'l Art Competition. He said, "My main goal is to keep on making vital, significant art
about life/humanity with honesty, intensity and depth and get it seen, even sold. I hope and dream to work to my last day
and hope that is at least fifteen years more of image-making." Several months ago, Sigmund celebrated his 75th birth
day. His artistic career is a success story of an artists whose art works can be found in art museums in the US and Europe.
including MoMA and Metropolitan, with list of the solo and group art exhibitions and many awards.
Juror Nadia
Russ said, “Sigmund Abeles’s artwork Parasomniac (Self-Portrait) is all about depth and emotionally touching
theme. Its colors combination and composition (perfect choice) are catching viewers’ attention and asking for emotional
respond.”
Artwork of John Alcock won 3rd place with his work Victoria Spring. His work
is celebratiion of color, light, and nature. He uses high energy colors to create his fascinating and powerful image of spring.
Claudette Losier with her image "Noodling my Doodling" won Honorable Mention. This artwork reflects her personality
and professionalism; she uses mixed media/transfer technique to successfully achieve her creative task. May 26th - June 29th,
she will have her art work exhibited in the Burlington Art Center in Ontario, Canada.
5/3/2010
GUGGENHEIM: Thinking Like An Artist
What
does it mean to think like an artist? What can educators learn from the work of artists? Join art and museum
educators, administrators, and policy makers from across the country in a two-day forum to discuss the
role of creativity in the art classroom and in the field of education as a whole. Through artist talks, panel presentations,
and group discussion, participants consider the characteristics of creativity across disciplines
and identify best practices for fostering creativity in the classroom. The conference features Lois Hetland and Ellen Winner, research associates at Project Zero,
Harvard Graduate School of Education; contemporary artists Janine
Antoni and Michael Joo; Ellen Lupton, curator of contemporary design at Cooper Hewitt
National Design Museum; Jerry Saltz, senior
art critic for New York Magazine, and other renowned practitioners and researchers in the fields of art, education,
and creativity. The conference also highlights the findings of The Art of Problem Solving,
a four-year research program recently completed by the Guggenheim Museum. This initiative
sought to identify skills associated with problem solving and determine how art educators
can encourage the development of these skills in their students. Thursday,
June 3, 9 am–5:30 pm. Friday, June 4, 2010, 9 am–1 pm at Solomon R. Guggenheim Museum, New York
|
|
|
2010.08.01 |
2010.07.01 |
2010.06.01 |
2010.05.01 |
2010.04.01 |
2010.03.01
|
***
|
Founded in 2010
PO BOX 366, New York, NY 10013
|
|
.
.
|
.
 |
NeoPopRealism Starz: 21st Century Art, 2nd Volume, Erotica As A High Artistic
Aspiration by Nadia Russ available from BarnesAndNoble.com , Amazon.com & other stores.
NeoPopRealism Magazine Art Gallery Online Some art works featured in this Gallery online
are available for sale. 
| Nadia
Russ, Rolls-Royce D'Vinci, Limited edition signed print, 11"x17"
|
| 
| Nadia
Russ, Rolla-Royce Convertible, Limited edition signed print, 11"x17"
|
| 
| Nadia
Russ, Bentley Convertible, Limited edition signed print, 11"x17"
|
| 
| Nadia
Russ, Rolls Convertible, Limited edition signed print, 11"x17"
|
| | | | | | | | | | |
Wonderbooks of
2008-2009
Wonderpedia Awards _______________
Wonderbook of September 2009 | Graphic Design Solutions | 
| Author:
Robin Landa, Publisher: WADSWORTH, Published: 2006, ISBN: 9781401881542
|
| London's Bridges | 
| Author:
Peter Matthews, Publisher: Shire Booksks, Published, 2009, ISBN: 9780747806790
|
_______________
Wonderbook
of January 2009 | The Complete History of
SURFING | 
| Authors:
Nat Young, Published: 2008, Publisher: Gibbs Smith, ISBN:9781423602668
|
_______________
Wonderbook
of September 2008 | MAN the HUNTED, new expanded
edition | 
| Authors:
Donna Hart, R. W. Sussman, Published 2008, Publisher: WESTVIEW PRESS, ISBN: 9780813344034
|
| _______________
Wonderbook of October 2009 | Just Listen | 
| Author:
Mark Goulston, Publisher: AMACOM, Published: 2009, ISBN: 9780814414033
|
| On The Origin Of Species | 
| Authors:
Charles Darvin, David Quammen, Publisher: Sterling, Published: 2008, ISBN: 9781402756399
|
_______________
Wonderbook
of February 2009 | The Arts Of China, Fifth
Edition | 
| Author:
M. Sullivan, Published: 2008, Publisher: University of California Press, ISBN: 9780520255692
|
_______________
Wonderbook
of October 2008 | 1001 Historic Sites You
Must See Before You Die | 
| Author:
Richard Cavendish; Published: 2008, Publisher: BARRON'S, ISBN: 9780764160448
|
| _______________
Wonderbook of November 2009 | The Little Prince, Deluxe
Edition | 
| Author:
Saint-Exupery, Publisher: Houghton Mifflin Harcourt, Published:2009, ISBN: 9780152023980
|
| I Hate People! | 
| Authors:
J.Littman&M. Hershon, Publisher: Little,Brown & Co., Published: 2009, ISBN:9780316032292
|
| The Complete Art Of Cooking | 
| Under
supervision of S. Girard, Published: 2006, Publisher: Rebo International, ISBN: 9789036619479
|
_______________
Wonderbook
of November 2008 | Guide to the Psychology
of Happiness | 
| Author:
Arlene Matthews Uhl,Published:2008, Publisher: Alpha Books/Penguin Group, ISBN 9781592577118
|
| _______________
Wonderbook of December 2009 | Emotional Addictions,
A Reference Book | 
| Author:
Peter D. Ladd, Publisher: University Press of America Published: 2009, ISBN:9780761846239
|
________________
Wonderbook
of August 2009 | Color Choreography | 
| Author:
Alan McManus Burned, Publisher: Cengage Learning, Published: 2008, ISBN: 9781426629235
|
| Finding Grace | 
| Photography
by Lynn Blodgett, Published: 2007, Publisher: Earth Aware, ISBN: 9781601091055
|
_______________
Wonderbook
of December 2008 | Making Things Happen | 
| Author:
Scott Berkun, Published: 2008, Publisher: O'Reilly, ISBN: 9780596517717
|
| | | | | |
ART EVENTS TODAY IN NEW YORK
ART OPENINGS IN NEW YORK CITY
.
.
.
.
.
Надя
Русс, Надежда МАЛОЛЕТНЕВа
|
)
)
)
)
)
)
)
)
)
)
